Pulp is not a medium...it's an extra large.
Whoa! Is that real? Tim
I am so there. That's an instant ticket sale, even before I read up what the story was - then I got even more buzzed about it...
I've been getting a lot of blowback from a client lately as to how they want their key art "cinematic." I told them to go to hell - they want their key art to go beyond cinematic (whatever the hell that means)...They want this, which is ICONIC. The thing is, this design works even if you had an unknown in the role. The staging, the color scheme, the typography tells a story!
And here's the trailer:http://tinyurl.com/66cjx2Badass.
That trailer looks kick ass. The release date seems odd though, following hot on the heels of The Changeling.
Thanks for the trailer, James. I popped it up from You Tube. Clearly Eastwood is playing with the whole vigilante genre here and even playing with his own iconic image. They've really peeled away the layers to get to the heart of the pulp onion with this one. I can't wait.
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Simply Bad Ass...
6 comments:
Whoa! Is that real?
Tim
I am so there. That's an instant ticket sale, even before I read up what the story was - then I got even more buzzed about it...
I've been getting a lot of blowback from a client lately as to how they want their key art "cinematic."
I told them to go to hell - they want their key art to go beyond cinematic (whatever the hell that means)...
They want this, which is ICONIC.
The thing is, this design works even if you had an unknown in the role. The staging, the color scheme, the typography tells a story!
And here's the trailer:
http://tinyurl.com/66cjx2
Badass.
That trailer looks kick ass.
The release date seems odd though, following hot on the heels of The Changeling.
Thanks for the trailer, James. I popped it up from You Tube.
Clearly Eastwood is playing with the whole vigilante genre here and even playing with his own iconic image.
They've really peeled away the layers to get to the heart of the pulp onion with this one.
I can't wait.
Post a Comment