Saturday, February 20, 2010
More Comics: ORION THE HUNTER
Wednesday, January 27, 2010
New Apple: Pulp for the New Media
“The focus is going to be on content creation and participation,” a technologist with close ties to Apple told Wired.com. “If the tablet is going to be an answer to things like the Kindle, which are purely about consumption, what you’re going to see is Apple is going to be full-blown about creation.”
There's no doubt (at least in my mind) that this is a game-changer:
Then, instead of deploying that content on a website and asking for donations or trying to sell ads, creators could deploy their web pages-cum-e-books to the iTunes store, where a built-in retail apparatus takes care of collecting payments as small as $1 while Apple holds on to what looks like a reasonably small 30-percent cut.
A recent Wall Street Journal story suggests that Apple is in last-minute negotiations with book publishers, urging them to adopt a model where most books are priced at $13 or $15, instead of the $10 that prevails on Amazon’s Kindle e-book store.
By distributing through iTunes, creators would have access to users on any of Apple’s platforms, including the iPhone, iPod Touch, MacBooks, desktop PCs, or possibly even the Apple TV. Even more significantly, iTunes users on Windows PCs would also be part of the available market.
And sure, that content will no doubt look good on a tablet, too. Our guess is the tablet will have exclusive functions for displaying iTunes book content in a special way, which will be one of the gadget’s main selling points (among other new, yet-to-be-known features, of course).
In one fell swoop, a move like this would give content creators easy-to-use and powerful tools for creating interactive content, and give them a way of making a living from it, too.
Friday, November 13, 2009
Technology That Affects You and Me
Hmmm... let's see:
- Broadcast quality video streaming for free to the producer.
- Ad capable (if it gets enough hits)
- Basically you have your own network!
Jim Shelley runs down the whole ITablet and open source tablet rumors. This is important because quite frankly no one really wants to read their comics on an IPhone. It really does the artists and storytellers a disservice. We can do better.
And yes - we must do better. We are poised to take some of the business away from people who forgot the audience. Well hell, we are the audience and we at least deserve a shot to try an entertain "our people."
While at AFM I heard Stephen Susco (GRUDGE) talking about genre writing, and I'll paraphrase here and say:
You don't see thousands of websites that get millions of hits and funnel billions of dollars centered around the Rom-Com. There's a huge audience for genre material (Scifi, Action, Horror and the blending of same) that's always hungry.
Feed them something good.
Monday, October 05, 2009
Report From Them's That's Pulpin': Dave Flora

From pal Dave Flora:
Tuesday, August 25, 2009
Gee, I Wish Comics...
Tuesday, July 21, 2009
It's A Tumor!
Although Amazon.com has published prose works exclusively on the Kindle before, in a first the online retailer has teamed with graphic novel publisher Archaia to publish Tumor, an original graphic novel by writer Joshua Fialkov and artist Noel Tuazon, initially in a digital edition formatted specifically for the Kindle;Tumor will be released serially on the Kindle before a hardcover print edition is published three to six months later. This is the first time Amazon has published a graphic novel specifically designed for the Kindle 2, and it will be followed by three additional Archaia books released on the Kindle that will be announced during the San Diego Comic-Con International this week.
The venture also offers a glimpse of a future model for serial/digital/print publication. The Kindle e-book will be sectioned into eight, 22-page chapters and, like most Kindle editions
Saturday, June 06, 2009
I Love New Media...
Thursday, June 04, 2009
Can Someone Please Tell Comics This?
--------------------------------------------"The new issue of McSweeney's, he adds, will be published in newspaper form, in an attempt to show that if the print model is changed, if it can offer "a clear and different experience" from the internet, then it can thrive. "We believe that if you use the hell out of the medium, if you give investigative journalism space, if you give photojournalists space, if you give graphic artists and cartoonists space – if you really truly give readers an experience that can't be duplicated on the web – then they will spend $1 for a copy. And that $1 per copy, plus the revenue from some (but not all that many) ads, will keep the enterprise afloat," he writes.
Eggers ends with a rousing call for the future of print. "This is a time to roar back and assert and celebrate the beauty of the printed page," he says. "Give people something to fight for, and they will fight for it. Give something to pay for, and they'll pay for it."
I want my comics on newspaper. I want to pay $1 for a big slab of culture with a lot of different comics in it... and ads for things I like... and a short story or two. I don't want to pay $3.99 for 22 pages of "story" (yes, that's sarcasm) on glossy white paper stock with card stock covers that winds up in a plastic bag and a board.
I also want to go online and read the comics if I miss the print edition. Surrounded by advertising and links and all sorts of "Google-ness" that pays for it.
But most of all I want to see kids reading comics again. With their folks. Just like my Dad and I used to do when I was a kid growing up in the small burg of Aiken, SC.
Every Sunday after church I would ask that we drop by the Aiken Drug Store to pick up the Atlanta Journal and Constitution which was the only paper in the area that carried DICK TRACY, THE PHANTOM and STEVE CANYON. All of this and the rest of the paper for only 50 cents.
Comics should be cheap.
The content shouldn't.
H/T to Warren
Sunday, December 21, 2008
Sunday Coffee Talk with the Bastard

Finished 4 pages of webcomic yesterday and it was one of the most gut-wrenching experiences as I had to keep my editor hat on as I was doing it, figuring out some panels and angles that play into the storytelling.
I will finish up tomorrow and then set it aside for a day or two so I can relax and read it with no preconceived notions - ha!
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I now have to work on some contractual stuff with an artist I am working with for that other thing I can't really talk about yet. Contracts are terrible to go over and work out.
(I'm sorry I'm such a damn tease)
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Already started organizing my calendar for the new year. I am going to be busy. Very busy.
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Saw this movie this morning while in bed. Would have liked to have had my own pulp hottie to share that with, but it was not to be...
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As I understand it, things are going along swimmingly up North regarding The Knightmare.
(who of course, is the subject of my upcoming webcomic)
Monday, December 15, 2008
From: Curt @Groovy Age Of Horror
Tuesday, November 25, 2008
Indie v. Corporate Comics by the Numbers:
Over the summer you might have stumbled onto Robert Kirkman’s plea for comics creators to leave DC and Marvel behind for independent publishing (or to come to Image, if you read it with a cynical view). You may also have heard that Brian Bendis attempted to call BS on Kirkman’s plea and debated him on the topic.
While the debate didn’t have a clear winner, the stances were clear: Kirkman wishes more creators at DC and Marvel realized how much money they could make by going independent. Bendis thinks Kirkman’s sales are too high to be a reasonable example, finds his Marvel deal (including a page rate, royalties and placing Powers at Icon) preferable and kept talking about the value of trade paperback reprints.
For those of us who've engaged in the healthy debate over webcomics and the like over at Kung Fu Monkey these numbers prove a lot of things:
1. It takes a lot of time and effort to make it in indie or corporate comics.
2. There are a ton of expenses charged back to the titles in order to make that meager amount. See charts in the article.
So the question becomes: How does the internet save you money, increase your profit margin and reduce the time it takes to get paid?
Important questions to be sure, because as we all know --- business grows or contracts with the economics of a situation.
Saturday, November 15, 2008
Go Here:
Trust your bastard on this one.
(That's all I can say for now)
Edit to add:
Well maybe I CAN say a little more (was there any doubt?) . Just got a quick IM that said, "I'm a video guy. Why should I care about comics on the web?" (Which reminded me of discussing taking German lessons in high school: When am I going to use that?)
The thing of it is this: The internet, new media, whatever you want to call it isn't just video. It isn't JUST web comics, or prose, or audio, or articles of photography, or illustration or animation or merchandise...
It's ALL OF THOSE THINGS.
And seriously, to be able to compete in the future (okay, here and now) you must integrate all those things into your strategy. You don't want to leave value (money) on the table. So never think of yourself as just a writer, just a video guy, just an artist...
Because if you do I'll show up at your house with my Darwinian Forehead Stamp (patent pending) and brand you "Extinct."
Thursday, November 13, 2008
Apply Yourself to the Pulp...



Reader Justin James just sent me an email regarding an IPhone Application for reading comics on your Iphone.
Hmmm... IPulp!
Thursday, June 12, 2008
I'm Going Home...
and going to sleep so I can get over this Los Angeles Flu bug-virus- sign of the coming apocalypse.Rest assured I will be dreaming of this image. Isn't she gorgeous? >>>>>
But in the real world, I leave you with this.
(Courtesy Newsarama)


